Tradition? I Don´t Need No Stinking New Years Gig

It´s true. Who needs it? Sick of the game, anyways.

The oh-so-fabulous NYE (that means new year´s eve to all you rookies) gig has become a thing of the past, I fear. Used to be that, traditionally, NYE was the golden goose for musicians (amateur hour for everyone else.) As a general rule, one would expect to make about triple of what a normal Saturday night gig would be. Pay the rent in one night, and all.

As a general rule.

That´s changed now. A lot of places are just eliminating live music altogether (thank you, karaoke, Rock Band, and recession.) Other joints are just trying to manipulate, wanting to pay you just a bit more (maybe) in exchange for doing an extra set.

Or two.

Mainly, though, places that will still hire players are offering the standard wage (50 bucks and a chicken sandwich?) Ok, not that bad, but for some, it most certainly is. It may be again for me someday, too. Who knows.

This is my second year in a row for having the night off. Almost unheard of in this biz. Nevertheless, this is the state of affairs in my world.

And I´m not the least bit fazed.

See, I´m Europe. Spain, to be precise. I´ll be staying in Madrid, for the most part, near Anton Martin (a barrio.)

Mui fantastico!

(Just to get it out of the way, the weather is great. I hear that there´s about a foot of snow in Chicago, so I´m very well off. Today in Seville, where I am spending just a few days for New Year´s, it´s about 60.)

I decided, very early in the year, that I´d be in Spain for much of the winter. It was gonna be Jamaica (mon) as usual, but a little bird convinced me that Spain would be the tops, since we were there earlier in the year. So with some planning, saving, and having resigned myself some time ago that New Year´s was not going to pay many bills, like usual, I decided that I´d bag the idea of gigging, come here, hang with some very good friends, and do it as differently as I ever had done.

So that means there´s no having to haul my gear through the snow (did you say 12"?), not having to deal with the horrible driving conditions, and not having to play music that you can chew your steak to (wonder if I´d even get one of those steaks. My gut says nay nay nay.) I´m not gonna have to worry about drunk drivers everywhere, police check points everywhere, and I won´t have to bitch about being underpaid.

What a relief.

Instead, I´ll be having cerveza and tapitas and pescado (?) and jamon.

And then 12 grapes at midnight.

There is a tradition here ¨en España¨ that when the clock strikes 12, you must eat 12 grapes before the end of the chimes (can you imagine an entire country glued to the tv or radio or church bells? Me neither, but I´ll let you know.) This, naturally, will bring you good luck for the rest of the year. If you fail to eat them, then watch out. There may be a surprise visit from ¨el diablo¨(ok, I made that part up. But you never know...)

Now that could be a pretty nice new tradition to start.

Feliz Año Nuevo.

So it goes...

Loss and Lunacy at Legends

This is a post that I hate to write.

A good friend of mine, Chris Neal (saxophone for the Brother John band), had his horn ripped off at Buddy Guy's Legends a few days ago.

Chris has been in John's band for years, and that band has been the house band at Legends for years, playing every other Monday night. I've written about the Blue Monday Jams on these pages on many occasions, so those of you who are familiar with me, you know how much I like going to Buddy's on a Monday. The characters that you encounter time and time again are like none you'd ever meet in "real life".

Apparently, Chris' tenor sax (Yamaha Custom EX- it's a nice instrument) was lifted from the green room at the club (on the second floor and away from public access, by the way), which makes this tale of woe all the worse. For those of you who are not in a band or have never seen an episode of Oprah, the green room is reserved for the talent. It's a place where you can hang and chill, be away from the audience, and not have to be "on".

The break room, if you will.

And, of course, it's the place where you can keep your personal stuff, allegedly secure and out of harms way.

So basically, someone in the club went through the VIP area, up the stairs to the green room, took the horn, came back down the stairs, and probably walked through the club with said horn in tow.

This is a travesty. Legend's has a reputation as a leading music venue in Chicago, the so called "Home of the Blues". The club's owner is also reputable, famous, remarkable, and one of the world's foremost ambassadors of the only true American music.

Buddy Guy is Chicago Blues. Something like this should not be happening in his club.

So who's to blame? Was it a patron of the club or a Legends employee that took it, I wonder? It was one or the other, that's for sure.

Unless, of course, it was another musician. Now there's a thought.

And if it was another musician (not an unusual possibility, to be sure,) it's not like he/she will be able to bring it out on a gig. Ever.

Which could only mean...

As Steely Dan once sang, "So I'll pawn my crown, for a ride uptown..."

Hopefully Buddy and Legends will take care of Chris as best as they can.

So it goes...

BMR4 Year in Review

So it's the end of November, Thanksgiving dinner has been eaten (in some cases multiple times), the holidays are in full swing, and the year is coming to a close.

All in all, it was a good year for my jazz group, BMR4. We've done a bunch of cool gigs all over the area, and have had some fine moments as a band. No doubt, the solid gold dancers at the Halsted Market Days festival will register as highlight numero uno (at least for yours truly.)

What we've got left is going to send out 2009 with quite a bang. Among other things, we'll conclude our Thursday night residency at Andy's Jazz Club, with performances on the first 3 Thursdays of December. Those gigs are always a blast, and we look forward to it every time.

December 9 is certainly a date to circle on the old calendar (do people still use those? besides me, I mean?) We'll be performing a special concert in honor of the late Master, John Coltrane at the Jazz Showcase in Chicago. It is the 45th anniversary of the release of the legendary "A Love Supreme" album, and we're going to give our homage and interpretation of the record (wish us luck! a bold challenge, for sure.) We'll also be performing other Coltrane favorites that have come through email requests (if you haven't made one yet, there's still time.)

This, proudly, will be our first time at the Showcase, so we hope that you can make it out for that one. It's a FREE concert, and sponsored by WDCB, 90.9 FM, College of DuPage (special thanks to Ken Scott for the continued support of BMR4 and live jazz in Chicago.)

With that, we've got 2010 ahead of us. 10 years of BMR4. That's a long time. So what does a decade old band do?

New stuff, of course!

We did a record a few years ago that we never released. It was to be called Fixin' a Hole, with that tune (yes, the Beatles' tune) as the lead track. Back then we were, um, how shall I put it, broke. We couldn't put it out, nor could we get someone to do it with/for us. But that was then, and this is now, and we think that we should be able to do something with it. This will most likely be released as a digital download only. We're thinking about doing that so that you can hear new stuff, and we can spend the time to do it all right.

And by the way, we're still less than flush, so if there are any patrons of the arts out there...

ahem, anyways...

We've also got a few things cooking in terms of recording new material. It's been about 2 years since we released Turning Point, we've finally broken even on the project, and so it's time for something fresh (not that you shouldn't pick up another copy or 2 as a worthy stocking stuffer for that special someone.)

We've been writing some stuff, we've been talking about other tunes we'd like to tackle, and we're just about at that point of getting that proverbial ball rolling. There's been some talk among us that maybe a few guests will join us on the record. We've worked with a lot of great players over the years, so that might be something for us to consider.

Last but not least (another stupid cliche. ugh!), we've gotten together all of our recordings from the Morse Theater shows that we did in the beginning of the year. There were six performances at the now defunct venue (too bad, it was really nice,) and we were fortunate enough to have had them all recorded. We got a lot of good material covered, with some very good performances. There's certainly a record in there somewhere (it's something like 19 hours worth of music- including sound checks, some of which weren't half bad.) We shall see what we come up with. Stay tuned!

Of course, the band would like to give a special thanks to the vocalists who participated on the shows with us: Lisa Roti, Allison Ruble, Nicole Kestler, Typhanie Monique, and Petra van Nuis. You all did a fabulous job.

No matter what, though, live music IS best! Please continue to support it wherever you are.

So it goes...